An original franchise in development. Kristian — werewolf of the Grey Wolf Clan. Marisol — elven princess of the Golden Moon. Their clans had not spoken in centuries. Their hearts did not ask permission.

Original literary prose, costume design, and editorial photography. A planned multi-arc narrative with genre transitions.

Ancient forest locations scouted and used as natural sets. Fur capes, gold crowns, swords, and wolf companions — all sourced and styled. Each image is simultaneously a standalone editorial and a chapter in an ongoing visual novel.

Burgundy draped silk, gold arm cuffs, rose petals on grass. A painted cello as both instrument and sculpture — its ornamental body in conversation with the figure that holds it.

Shot at golden hour on a lake. The light does not flatter. It reveals.

Handcrafted props include: embroidered fox totem with gemstone eye, antler crowns with miniature roses and moss, leaf costumes assembled from real foliage, beaded headdresses and multi-layer jewellery — all made to 1/6 scale.

Copper neck ring, woven disc collar in red and gold, yellow draped silk, painted staff. Shot against dry savanna brush — the colour holds against dead wood because it has to.

Cultural references sourced, studied, and built by hand. Not costume. Reference.

The disc collar is not an accessory — it is the composition. Woven in red, yellow and green, it frames the face the way a painting frames its subject. The neck ring, the teal earrings, the green eyes. Detail at 1/6 scale that reads at full size.

Chanel and Dior in the streets of Kyiv. Real city architecture as backdrop — cobblestone, baroque facades, iron lanterns.

Fashion exists everywhere. Not just on a runway.

Multiple Kyiv locations used as distinct backdrops: Andriyivskyy Descent, central boulevards, embankments. The city becomes a fashion week set — familiar to locals, cinematic to the world.

Same character, two times of day. Daytime: period costume on Kyiv embankment. Night: working lantern, city bokeh, controlled exposure in darkness.

One concept — two lighting languages.

Night shooting with a live flame light source. The lantern does not overexpose. The face reads. The city skyline becomes bokeh. This is not a filter — it is an understanding of how camera and light interact in darkness.

Mounted on a tiger in real jungle undergrowth. Draped linen, gold cuffs, spear. The tiger is not a prop — it is a scene partner, directed and composed as part of the image.

Scale is not a limitation. It is a creative tool.

The same goddess, a different mount — black horse at the forest edge. Two animals, two registers of power. Tiger: raw and feral. Horse: sovereign and controlled. Each changes the entire meaning of the figure that rides it.

Vyshyvanka, red poppies, wheat, black horse, blue-yellow flag. A couple — not a pose, a statement. Shot on the Dnipro riverbank in Kyiv.

This is not aesthetic. This is authorship. Made by someone who lives here, while this is happening.

Ukrainian identity expressed in three registers: folk costume and flag (direct), blue-yellow palette in fashion (subtle), and kalyna berries on city streets (coded). Each approach reaches a different audience. All are intentional.

Red on red on red. The pepper is not background — it is the world. Black latex and straps as the only contrast. Platinum hair as the third element.

When the concept is strong enough, you need nothing else.

Food, flowers, and everyday objects used as conceptual backdrops and symbolic language: red peppers, playing cards (Queen of Diamonds), Tarot (The Magician's four suits), cherry tomatoes in a harvest field. Every element carries meaning.

Blue knit dress, yellow scarf, heart-shaped glasses. The city as backdrop — cobblestones, spires, afternoon light.

Editorial energy without a studio. Kyiv as it is, not as it is imagined.

Six distinct frames from a single location session — each with a different focal length, background depth, and body language. The same costume reads differently across the city's changing architecture. That is the skill: making one shoot feel like six.

Paul. A rose. A hat. A show poster shot and designed from scratch.

1 bachelor. 12 contestants. Audience-driven elimination every Friday for 2 months. ~100 story slides per episode. 800+ produced assets. Peak engagement: 636 likes, 100 comments per episode.

The winning couple is still together. Their wedding is in 2026.

Weekly colour palette concepts. Original scripted dialogue. Location and studio shoots. Live audience voting. Post-season character epilogues. Community members sent physical gifts for the finale. Solo production. Zero missed deadlines.