01 / Original IP
Between
Two Worlds
Two Worlds
Dark Fantasy Visual Novel · Ongoing Series
An original franchise in development. Kristian — werewolf of the Grey Wolf Clan. Marisol — elven princess of the Golden Moon. Their clans had not spoken in centuries. Their hearts did not ask permission.
Original literary prose, costume design, and editorial photography. A planned multi-arc narrative with genre transitions.
Original literary prose, costume design, and editorial photography. A planned multi-arc narrative with genre transitions.
01 / Production Range
Ancient forest locations scouted and used as natural sets. Fur capes, gold crowns, swords, and wolf companions — all sourced and styled. Each image is simultaneously a standalone editorial and a chapter in an ongoing visual novel.
02 / Fine Art
Scarlet
Sonata
Sonata
Fine Art Editorial · Natural Light · Lakeside Location
Burgundy draped silk, gold arm cuffs, rose petals on grass. A painted cello as both instrument and sculpture — its ornamental body in conversation with the figure that holds it.
Shot at golden hour on a lake. The light does not flatter. It reveals.
Shot at golden hour on a lake. The light does not flatter. It reveals.
02 / Craft & Detail
The cello is not a prop — it is hand-painted, an instrument treated as a sculpture. Each ornamental curve mirrors the figure that holds it. Red lips, dark hair, gold cuffs. Portrait at 1/6 scale that reads as fine art at any size.
03 / Forest Witch
Spirit
of the Forest
of the Forest
Handcrafted Textile Art · Magic Hour Photography
The fox is not a prop — it is hand-embroidered, a totem worn as armour. Natural stone necklaces. Copper spiral bracelets. Shot on real moss in forest light.
When all decoration is removed, what remains is craft.
When all decoration is removed, what remains is craft.
03 / Craft Detail
Handcrafted props include: embroidered fox totem with gemstone eye, antler crowns with miniature roses and moss, leaf costumes assembled from real foliage, beaded headdresses and multi-layer jewellery — all made to 1/6 scale.
04 / Tropical Editorial
Wild
Beauty
Beauty
Fashion Editorial · Natural Light · Location
White knit, silver cuffs, yellow tulips. Dark skin against green foliage and yellow blooms — the palette is not styled, it is found. One costume, two locations: garden and city.
The character holds both worlds without effort.
The character holds both worlds without effort.
04 / Same Character, New City
White ribbed set, silver cuffs, oval white sunglasses. The same afro — now against granite steps, city skyline, wooden decks, rock formations. Jungle and city: two completely different worlds, one visual identity that holds in both.
05 / African Heritage
Roots
& Rhythm
& Rhythm
African Editorial · Cultural Reference · Handcrafted Props
Copper neck ring, woven disc collar in red and gold, yellow draped silk, painted staff. Shot against dry savanna brush — the colour holds against dead wood because it has to.
Cultural references sourced, studied, and built by hand. Not costume. Reference.
Cultural references sourced, studied, and built by hand. Not costume. Reference.
05 / Colour & Craft
The disc collar is not an accessory — it is the composition. Woven in red, yellow and green, it frames the face the way a painting frames its subject. The neck ring, the teal earrings, the green eyes. Detail at 1/6 scale that reads at full size.
06 / Haute Couture Street
Kyiv
as Runway
as Runway
Luxury Fashion · City Location · Ukraine
Chanel and Dior in the streets of Kyiv. Real city architecture as backdrop — cobblestone, baroque facades, iron lanterns.
Fashion exists everywhere. Not just on a runway.
Fashion exists everywhere. Not just on a runway.
06 / Editorial Range
Multiple Kyiv locations used as distinct backdrops: Andriyivskyy Descent, central boulevards, embankments. The city becomes a fashion week set — familiar to locals, cinematic to the world.
07 / Historical & Atmospheric
Victorian
Kyiv
Kyiv
Period Design · Day & Night · Location
Same character, two times of day. Daytime: period costume on Kyiv embankment. Night: working lantern, city bokeh, controlled exposure in darkness.
One concept — two lighting languages.
One concept — two lighting languages.
07 / Night Photography
Night shooting with a live flame light source. The lantern does not overexpose. The face reads. The city skyline becomes bokeh. This is not a filter — it is an understanding of how camera and light interact in darkness.
08 / Ancient & Epic
Goddess
of the Hunt
of the Hunt
Mythological · Epic Scale · Wildlife Direction
Mounted on a tiger in real jungle undergrowth. Draped linen, gold cuffs, spear. The tiger is not a prop — it is a scene partner, directed and composed as part of the image.
Scale is not a limitation. It is a creative tool.
Scale is not a limitation. It is a creative tool.
08 / Animal Direction
The same goddess, a different mount — black horse at the forest edge. Two animals, two registers of power. Tiger: raw and feral. Horse: sovereign and controlled. Each changes the entire meaning of the figure that rides it.
09 / Cultural Identity
Ukraine
Endures
Endures
Identity · Memory · Made in Kyiv During War
Vyshyvanka, red poppies, wheat, black horse, blue-yellow flag. A couple — not a pose, a statement. Shot on the Dnipro riverbank in Kyiv.
This is not aesthetic. This is authorship. Made by someone who lives here, while this is happening.
This is not aesthetic. This is authorship. Made by someone who lives here, while this is happening.
09 / Identity as Visual Language
Ukrainian identity expressed in three registers: folk costume and flag (direct), blue-yellow palette in fashion (subtle), and kalyna berries on city streets (coded). Each approach reaches a different audience. All are intentional.
10 / Concept Studio
Hot
Conceptual · Studio · Colour Theory
Red on red on red. The pepper is not background — it is the world. Black latex and straps as the only contrast. Platinum hair as the third element.
When the concept is strong enough, you need nothing else.
When the concept is strong enough, you need nothing else.
10 / Symbolic Thinking
Food, flowers, and everyday objects used as conceptual backdrops and symbolic language: red peppers, playing cards (Queen of Diamonds), Tarot (The Magician's four suits), cherry tomatoes in a harvest field. Every element carries meaning.
"The range is not a genre. It is a disposition — the ability to enter any world and make it feel inevitable."